Жанр медиапроекта
Военные
Territories
Bjorn Lynne
A broody, dark, cinematic track with a slight military / operation feel. Barely audible lo-fi telecommunications over dark beds of mangled and distorted synth pads and guitars. Undercover operation, military or space / sci-fi. Sneaky, suspicious, ominous.
Standard License
It's Gonna Be Serious
Adam Skorupa
A percussion driven 'prelude to battle'. Building up, gearing up, battle preparations, preparing for fight or conflict. Ominous, foreboding, pensive.
Standard License
Wartime Spirit
Chris Worth
A prominent bass pattern and snare drums produce a marching rhythm for the celebratory melodies from strings, brass, woodwind and percussion.
Standard License
Monstro City
Wesley Devine
Snarling industrial beats, guitars and big horns serve up a massive mechanical, other-worldly vibe. Dark and foreboding.
Standard License
The Edge Of The Abyss Percussion
Iouri Sazonov
Battle drums. Pounding percussion. A combination of orchestral percussion and ethnic / tribal drums. Suitable for battle, fight, chase, brawls and action scenes.
Standard License
Shadow Protocol
Pawel Orlow
A tense, simmering action track with a combination of orchestral and electronic elements. Dangerous, Mysterious, Tension. Missions, operations, spy, undercover, simmering danger or conflict, crime. Operations.
Standard License
Urban Hunt
Krzysztof Rzeznicki
Industrial and pounding sound design with action beats. Edgy / Powerful / Mechanical.
Standard License
Close Encounter
Bjorn Lynne
A frantic, percussion driven music track for a chase, battle or fight scene. Highly suitable for trailer, game, thriller or action film. Horn stabs and staccato, dissonant string stabs with busy percussion.
Standard License
Urban Darkness series, Part 14
Bjorn Lynne
Semi-electronic, pulsating synth, orchestral percussion & brass.
Standard License
Attack Force
Krzysztof Rzeznicki
Hard, industrial sound design, brooding and tense hard-hitting percussion. Edgy / Powerful / Mechanical. Fight / Battle / March.
Standard License
In The Darkest Hour
Rafael Krux
A dramatic, building trailer track made with cinematic orchestra and percussion. Structure divided into three main parts for easier editing (trailer structure). Proud / Patriotic / Dramatic.
Standard License
Battle Of Light And Dark
Jonathan Adamich
A grand, epic, fantasy track with dark and light elements in equal measures. Heroic melodies and pounding percussion give a sense of glory, battle, aspirations and struggle for greatness or dominance. Royal / Regal. Glorifying / Majestic.
Standard License
Nameless Powers
Jonathan Geer
An exciting, adventurous full orchestra track. Starts out slow and suspenseful with low strings and dissonant brass. Becomes more hopeful as it develops.
Standard License
No End In Sight
Jonathan Geer
A short intense piece that blends distorted guitar, fast-paced oud, drums, electronic elements and a full string section to deliver a huge hard-hitting wall of sound. This would fit perfectly with action-heavy trailers or teasers.
Standard License
Evacuate
Evgeny Emelyanov
A dark and dramatic, hybrid orchestral track with a scifi feel. Crisis / Edgy / Heroic. The track has a melodic element that rises up, up, towards a sudden drop off at 01:28, followed by a dark and ominous end part.
Standard License