Mood / Emotion
Dark music
Darker Days
Jonathan Geer
An epic cinematic rock track with all sorts of crazy electric guitar sounds combined with a slamming drumkit groove and dirty synths.
Standard License
Steampunk Robot
Nils Berholz
Dystopian, sinister steampunk dubstep track with dark synthesizers and brutal beats.
Standard License
Strategic Strength
Erik Haddad
Imagine a military unit putting a stealthy strategy into motion with this track featuring low staccato strings and brass, snare drum, timpani, etc. Suspenseful determination great for topics involving war, history, military plotting and planning, etc.
Standard License
Shogun
Michael Kenji Azuma
A dark and ominous Hip-Hop / Trap track with a very slightly Oriental / Far East and Samurai feel. Doom-laden, serious, epic Hip Hop, with Koto / Eastern.
Standard License
Demolition
Daniel Peter Morrissey
Intense, powerful, exciting, driven, blistering and adrenaline-fuelled rocker with great forward momentum. Mean, explosive, wicked, dynamic, suspense-filled & highly-charged. Would suit extreme sports / military / action thriller type projects.
Standard License
The Crusher
Wesley Devine
Tough, mean and evil breakbeats and metal guitars groove with atmospheric and dream-like elements. Works great with extreme sports, adventure and action scenes, crime-in-progress and more.
Standard License
Blackout
Evgeny Emelyanov
Very dark and edgy track with slow, pounding and a raw, destroyed sound. Tribal shout vocals. Sci-fi or Fantasy production. Version with the vocals has a more Barbarian feel, version without the vocals has a more Sci-fi / Apocalyptic feel.
Standard License
Inevitable Drum
Stefan Bode
Dark Dub / Dubstep, Tempo at "half-time" 140 BPM in typical dub step style, with edgy, dark synth pulses, Robotic, unstable, futuristic, Atmospheric, darkly grooving and moving, Good for cutting edge technology, future, sci-fi, etc.
Standard License
Arise
Stobierski Thomas, Dick De Benedictis
Dark and dramatic track for action, chase, battle, etc. A sense of urgency, impending danger. Mixing orchestral and electronic elements to great effect. This track is recorded with a live philharmonic orchestra.
Standard License
Standard License
In the Middle of Something
Michael Bozzo
Optimistic guitar and bass. Melancholy slide and trippy violin like guitars.
Standard License
Glitch It
Wesley Devine
Nasty electro-breaks / glitch-hop track with a main synth bass that warps and glitches into an industrial-rock sounding payoff section. Forthright and triumphant, ideal for gaming videos, motorsport, mechanics, action, extreme sports.
Standard License
Cold Presence
Erik Haddad
Eerie atmospheric sound design texture evocative of a dark supernatural presence, a cold abyss, haunting outer space science fiction, dark corridors, arctic landscapes, etc. Mysterious and unsettling.
Standard License
Unknown Corridors
Kevin Woods
Dark and gritty featuring an introspective piano melody and underlying guitar riff and drone textures that create a reflective and suspenseful mood.
Standard License
Party Live
Wesley Devine
Heavy-hitting and masculine Trap featuring scratched phrase, 'I came to get this party jumpin / Party Live' great for urban and nightlife scenes. Also available without the vocal parts.
Standard License