Музыкальный стиль
Электро-рок
Power Up
Wesley Devine
A \'Rock-tronica\' track with a corporate feel ideal for use in advertising and motivational scenes. Energetic and bouncy. Moving forward with vigor and enthusiasm. Also works great for technology and extreme sports.
Standard License
Through Infinity
Denis Gorodetskiy
Energetic Rock theme. Impulsive guitar riffs. Spatial drive guitar solo. Mix of electronica and hard rock elements.
Standard License
Crazy Town
Wesley Devine
High-speed, frenetic paced Rock guitars and Jungle beats combined with glitchy child-like voices, ready for action scenes, destruction and mayhem! Ideal for fighting computer games, crime, gang culture.
Standard License
El Diablo
Wesley Devine
Biting, gritty, and nasty guitar riffs combine with squelching, acidic synths to create a sort of apocalyptic, post-industrial grind rock music. Dark and menacing, unnerving and stressed. Combat, fight / brawl, power, aggression. Threatening.
Standard License
Groove Troopers
Pierre Gerwig Langer
A dark, determined and forceful techno / mech / hard core / industrial rock track. Gutsy, gritty guitar riffs with Big Beat drums and squelching, acidic synths.
Standard License
Electrok
Wesley Devine
Raw and dirty guitar riffing meets downtempo, slamming hip-hop drums. Powerful stuff, suitable for action footage, raw engine power, extreme sports, fighting and wrestling, or any dark, hard, cold, mechanical visual imagery. Confident and dominant.
Standard License
New Tech Haven
Bjorn Lynne
A pulsating, elegant and restrained synth/tech track. Mid-tempo crispy beats, synthesizer arpeggios and occasional guitar licks. Good for corporate presentations, Flash/animation, commercials, technology, scifi, machinery, liquid/plasma movements
Standard License
One Two Three Jump
Piotr Pacyna
Pumping, driving electro-rock with heavy guitar riffs and edgy synths. Think workout, sports, gym or big machines. Available with or without the 'One Two Three Jump' vocal parts.
Standard License
Now Jump
Wesley Devine
A hard slamming, relentlessly beating, dark and forceful urban grind / beat. Forceful / determined. Hard rock style guitar lick combining with funk drums and retro synths to create an incredibly funky, slamming, urban, dark hip-hop track.
Standard License
Unspoken Words
Stephen William Cornish
Mellow rock track full of suspense and tension. Guitars and drums with some synth and vocal effects.
Standard License
Trackers
Bjorn Lynne
Orchestra with power guitars and electronics. The first part is tense, somewhat dark, with a slight industrial edge. At 01:14 breakbeat style drums and bass groove.
Standard License
And The Beat Goes Off
Wesley Devine
Punk rocks! Filthy guitars and slamming breakbeats and rocktronica. Glitched vocal refrain, 'When the beat goes off we bang to the bass'. Extreme sports, urban and edgy content, gaming and action scenes.
Standard License
Into The Abyss
David Flavin, Kenneth Favell
Industrial Track with a doom feel. Heavy guitar and drums, ghostly choir and synth pads and loops highlight the piece.
Standard License
Rock Rush
Wesley Devine
Fast paced, high energy dance-rock cross over. Trance like synth riffs combine with heavy aggressive metal guitars in a frantic race to the finish line. Imminence, forward movement, great for use with all kinds of extreme sports and action, chase scenes.
Standard License
Endless Possibilities
Bjorn Lynne
Melodic Electro-rock track provides using elements of Science Fiction soundtrack work, Progressive Rock and Ambient Electronica. Guitar leads, epic pads, analogue synth sequences.
Standard License