Музыкальный стиль
Электро-рок
One Two Three Jump
Piotr Pacyna
Pumping, driving electro-rock with heavy guitar riffs and edgy synths. Think workout, sports, gym or big machines. Available with or without the 'One Two Three Jump' vocal parts.
Standard License
Electrok
Wesley Devine
Raw and dirty guitar riffing meets downtempo, slamming hip-hop drums. Powerful stuff, suitable for action footage, raw engine power, extreme sports, fighting and wrestling, or any dark, hard, cold, mechanical visual imagery. Confident and dominant.
Standard License
The Punisher
Aleksandar Dimitrijevic
A mean, forceful, unforgiving Big Beat track that blends elements of techno, industrial, rock and funk to create a groovy and funky style of gritty music, recently made famous by groups such as The Crystal Method.
Standard License
So Nasty
Wesley Devine
A serously noisy Heavy Metal / Industrial Rock / Breakbeat mash-up. 'Nuff said.
Standard License
The Big Crush
Aleksandar Dimitrijevic
Somewhat dirty, gritty, grinding Big Beat track with a determined, hard slamming downtempo beat and nasty guitar + synth riffing. Good for action scenes, chase scenes, high impact sports.
Standard License
Slow Jam Rock
Wesley Devine
Post-industrial Electro Dub Metal / Hard Rock crossover with a very heavy edge. Snarling guitar riffs combine with acidic synthesizers and a slow, methodical and relentless beat.
Standard License
Planning Ahead
Andy Potterton
Young, vibrant and full of vitality, this energetic short piece is really punchy.
Standard License
80's Cop Funk
Wesley Devine
A sneaky, downtempo funk track in the style of 1980s cop films like Beverly Hills Cop and many others. Synth bass, gated drums. Suitable for scenes of investigating, stalking, sneaking around, stakeout and more.
Standard License
Driven
Stefan Bode
Edgy and heavy, electro / rock Big Beat track. A ballsy guitar riff leads the way, with a slamming drum beat and distorted bass following through. Determined, gritty and macho.
Standard License
Rock Rush
Wesley Devine
Fast paced, high energy dance-rock cross over. Trance like synth riffs combine with heavy aggressive metal guitars in a frantic race to the finish line. Imminence, forward movement, great for use with all kinds of extreme sports and action, chase scenes.
Standard License
Now Jump
Wesley Devine
A hard slamming, relentlessly beating, dark and forceful urban grind / beat. Forceful / determined. Hard rock style guitar lick combining with funk drums and retro synths to create an incredibly funky, slamming, urban, dark hip-hop track.
Standard License
All That Can Be
Daniel Peter Morrissey
Dynamically volatile with smooth slick yet forboding synth pads and sequences. The mid section drops down into a kind of drum machine/ tabla fueled trance state before a lone synth lead line fanfares the blast of the last chorus.
Standard License
Dancing Electrons
Pierre Gerwig Langer
Rough, tough and determined techno / Big-Beat, occasional joined by heavy metal guitar chops. Hard and mechanical, great for an action movie chase scene, or scenes of sport / extreme sports, fighting, wrestling, boxing, brawling.
Standard License
bedLAmite
Henry GormanStandard License
New Tech Haven
Bjorn Lynne
A pulsating, elegant and restrained synth/tech track. Mid-tempo crispy beats, synthesizer arpeggios and occasional guitar licks. Good for corporate presentations, Flash/animation, commercials, technology, scifi, machinery, liquid/plasma movements
Standard License