Музыкальный стиль
Электро-рок
Crazy Town
Wesley Devine
High-speed, frenetic paced Rock guitars and Jungle beats combined with glitchy child-like voices, ready for action scenes, destruction and mayhem! Ideal for fighting computer games, crime, gang culture.
Standard License
80's Cop Funk
Wesley Devine
A sneaky, downtempo funk track in the style of 1980s cop films like Beverly Hills Cop and many others. Synth bass, gated drums. Suitable for scenes of investigating, stalking, sneaking around, stakeout and more.
Standard License
All That Can Be
Daniel Peter Morrissey
Dynamically volatile with smooth slick yet forboding synth pads and sequences. The mid section drops down into a kind of drum machine/ tabla fueled trance state before a lone synth lead line fanfares the blast of the last chorus.
Standard License
Rising Star
Dan Phillipson
This track starts from a quiet, but expectant synth line and keeps growing, swelling, rising up, ever higher, as if reaching for the goal, reaching for glory. A very inspirational track that has elements of Ambient, Pop and Rock all together.
Standard License
Full Speed
Denis Gorodetskiy
Speed, racing and victory. A very energetic and uplifting track with modern instruments and driving guitar riffs. Great for sport and extreme action.
Standard License
Groovy Aliens
Wesley Devine
Digital, futuristic techno-funk with some aggression. Thumping synth bass swell, biting guitar riffs, squeaky synths and blippy digitals combine in hard rock, breakbeat crossover. Techno, electro, grind, drum'n bass, hard rock, metal, funk and disco.
Standard License
Driven
Stefan Bode
Edgy and heavy, electro / rock Big Beat track. A ballsy guitar riff leads the way, with a slamming drum beat and distorted bass following through. Determined, gritty and macho.
Standard License
Slow Jam Rock
Wesley Devine
Post-industrial Electro Dub Metal / Hard Rock crossover with a very heavy edge. Snarling guitar riffs combine with acidic synthesizers and a slow, methodical and relentless beat.
Standard License
Crazy Ride
Dmitriy Lukyanov
Dynamic and slightly agressive soundtrack was made in techno electronic style.Pulsating gate pad,SFX,arpegiators, drive el guitar immerses you in the pursuit of police sirens and crazy drivers. Good as a background for video with car accident.
Standard License
Electrok
Wesley Devine
Raw and dirty guitar riffing meets downtempo, slamming hip-hop drums. Powerful stuff, suitable for action footage, raw engine power, extreme sports, fighting and wrestling, or any dark, hard, cold, mechanical visual imagery. Confident and dominant.
Standard License
New Tech Haven
Bjorn Lynne
A pulsating, elegant and restrained synth/tech track. Mid-tempo crispy beats, synthesizer arpeggios and occasional guitar licks. Good for corporate presentations, Flash/animation, commercials, technology, scifi, machinery, liquid/plasma movements
Standard License
Blast-o-beat
Aleksandar Dimitrijevic
A tough and gritty, determined and forceful big-beat track. Slow, slamming rock beat combined with nasty acidic synths and a somewhat retro funky guitar riff. Suitable for fights, brawling, hardcore sports action, motor racing.
Standard License
Crash Course
Daniel Alan Gautreau
A solid dose of energy comes across in this infectious track somewhere between rock and electronica. Urgent synth patterns and slamming guitar riffs with tightly compressed drums. Sport, excitement, action or any high impact media with high energy levels.
Standard License
Through Infinity
Denis Gorodetskiy
Energetic Rock theme. Impulsive guitar riffs. Spatial drive guitar solo. Mix of electronica and hard rock elements.
Standard License
Pop Tv
Daniel Alan Gautreau
Commercials, TV shows, youth culture, games and more. Similar to the style of X-Factor, Pop Idol, American Idol, various MTV shows, etc. Stirring and exciting, pop rock and dance music. Good for branding, TV, pop culture, theme tune, etc.
Standard License