Музыкальный стиль
Электро-рок
Wanna Feel It
Wesley Devine
Rough and kickin' Rock / Dance crossover track. Tough yet playful, ideal for extreme sport, gaming, action-filled footage etc. There is also a version with vocal samples.
Standard License
Ready To Load
Aleksandar Dimitrijevic
A slamming, pumping and sizzling Big Beat track. Determined, forceful, and dirty. Suitable for modern warfare, guts and glory, hard hitting sports, impact sports, tough guys on the street.
Standard License
Planning Ahead
Andy Potterton
Young, vibrant and full of vitality, this energetic short piece is really punchy.
Standard License
Like Im Champ
Wesley Devine
Fight Music! Guttural Guitars and breakbeats rumble, featuring vocal hooks - ideal for all rough, tough, combat and extreme sports, motorsport, advertising and gaming. A version without the vocal parts is also available.
Standard License
And The Beat Goes Off
Wesley Devine
Punk rocks! Filthy guitars and slamming breakbeats and rocktronica. Glitched vocal refrain, 'When the beat goes off we bang to the bass'. Extreme sports, urban and edgy content, gaming and action scenes.
Standard License
El Diablo
Wesley Devine
Biting, gritty, and nasty guitar riffs combine with squelching, acidic synths to create a sort of apocalyptic, post-industrial grind rock music. Dark and menacing, unnerving and stressed. Combat, fight / brawl, power, aggression. Threatening.
Standard License
Rock & Release
Wesley Devine
Tough and up-front electro-rock track with great forward-movement and drop, ideal for use in sports, travel, masculine scenes.
Standard License
Jumping Generator
Pierre Gerwig Langer
A rough and gutsy funk track with a mechanical, industrial element. Hard hitting Big Beat funky drums with funk bass and hard edged synths. Determined, forceful.
Standard License
Check Point
Wojciech Panufnik
A dynamic action-packed bigbeat similar to Junky XL or Crystal Method music. Energetic breakbeats, confident bass, driving guitars, sharp and fat, twisted synth themes. Confident, determined, groovy track.
Standard License
Trackers
Bjorn Lynne
Orchestra with power guitars and electronics. The first part is tense, somewhat dark, with a slight industrial edge. At 01:14 breakbeat style drums and bass groove.
Standard License
Beyond The Limits
Wojciech Panufnik
Dynamic and energetic, a mixutre of hard guitar riffs with modern electronic sounds. Suitable for sport and action projects.
Standard License
80's Cop Funk
Wesley Devine
A sneaky, downtempo funk track in the style of 1980s cop films like Beverly Hills Cop and many others. Synth bass, gated drums. Suitable for scenes of investigating, stalking, sneaking around, stakeout and more.
Standard License
Blues Break
Wesley Devine
We don't want to brag, but this one is a real hit. A seriously funky mash-up of mangled and twisted blues guitar riffs, with big beat style drums and bass. It's cool, original, and about as funky as it gets.
Standard License
Bomb
Daniel Peter Morrissey
Guitars and synths brutally battle it out for supremacy separated only by a soft spacey b part that lulls you into a false sense of security before the frantic duel begins again. Contains guitars, synths, strings, bass, drums.
Standard License
Unspoken Words
Stephen William Cornish
Mellow rock track full of suspense and tension. Guitars and drums with some synth and vocal effects.
Standard License