Музыкальный стиль
Электро-рок
Killer Glam
Wesley Devine
Hardcore techno, breakbeat track mixed with elements of the Glam Rock of the 1970's, this unique and cheeky number is both gritty, nasty, fun and funky. Good for sports, extreme sports, motorsports, racing, any high impact, high energy footage.
Standard License
Magma
Wesley Devine
Gritty and nasty, shredding guitars and slamming breaks, ultra masculine, great for extreme sports and gaming.
Standard License
The Punisher
Aleksandar Dimitrijevic
A mean, forceful, unforgiving Big Beat track that blends elements of techno, industrial, rock and funk to create a groovy and funky style of gritty music, recently made famous by groups such as The Crystal Method.
Standard License
Colosseum
Henry GormanStandard License
Go
Bjorn Lynne
Hip-Hop meets Rock. This is an "in your face" track blending elements of Urban / HipHop with Rock and Metal. A really hard nosed, acidic synth pattern sets the tone, and is followed by metal style guitar riffing and slamming, downtempo drums.
Standard License
Bomb
Daniel Peter Morrissey
Guitars and synths brutally battle it out for supremacy separated only by a soft spacey b part that lulls you into a false sense of security before the frantic duel begins again. Contains guitars, synths, strings, bass, drums.
Standard License
Now Jump
Wesley Devine
A hard slamming, relentlessly beating, dark and forceful urban grind / beat. Forceful / determined. Hard rock style guitar lick combining with funk drums and retro synths to create an incredibly funky, slamming, urban, dark hip-hop track.
Standard License
Bouncing Floor
Pierre Gerwig Langer
Stuttering and spitting synth riffs and a hard, staccato Big Beat style rhythm gives this track a slamming, powerful, high impact, gritty feel. Rough and determined, forceful and unforgiving, this track will go well with tough, hard sports footage.
Standard License
Crazy Ride
Dmitriy Lukyanov
Dynamic and slightly agressive soundtrack was made in techno electronic style.Pulsating gate pad,SFX,arpegiators, drive el guitar immerses you in the pursuit of police sirens and crazy drivers. Good as a background for video with car accident.
Standard License
Trackers
Bjorn Lynne
Orchestra with power guitars and electronics. The first part is tense, somewhat dark, with a slight industrial edge. At 01:14 breakbeat style drums and bass groove.
Standard License
Modern Ending
Ilya Kaplan, Stan Fomin
A perfect track for opening or ending an energetic modern sequence, conviniently produced to work as a 15 and 30 seconds or looped
Standard License
Talking Robots
Forte FillStandard License
Pop Tv
Daniel Alan Gautreau
Commercials, TV shows, youth culture, games and more. Similar to the style of X-Factor, Pop Idol, American Idol, various MTV shows, etc. Stirring and exciting, pop rock and dance music. Good for branding, TV, pop culture, theme tune, etc.
Standard License
Wanna Feel It
Wesley Devine
Rough and kickin' Rock / Dance crossover track. Tough yet playful, ideal for extreme sport, gaming, action-filled footage etc. There is also a version with vocal samples.
Standard License
Rocktagon
Wesley Devine
Futuristic dubstep / rock like edgy breaks meets death metal, evil & foreboding, ideal for extreme sports, gaming & advertising.
Standard License