Музыкальный стиль
Электро-рок
Planning Ahead
Andy Potterton
Young, vibrant and full of vitality, this energetic short piece is really punchy.
Standard License
80's Revenge
Wesley Devine
A pumping, chopped-up, mashed-up, grinding and gritty Rock, Electro crossover. Sizzling and thumping beats, as though just about to burst out. Biting hard guitar chops and industrial style synth bass. At breaking point, stuttering and pulsating.
Standard License
Accelerating To Light Speed
Ilya Kaplan, Stan Fomin
Beginning with a light bell intro and quickly accelerating to a very fast modern pace with a sense of time just flying by or watching a video in fast forward (FF) mode . speed time change fast aggressive
Standard License
Groovy Aliens
Wesley Devine
Digital, futuristic techno-funk with some aggression. Thumping synth bass swell, biting guitar riffs, squeaky synths and blippy digitals combine in hard rock, breakbeat crossover. Techno, electro, grind, drum'n bass, hard rock, metal, funk and disco.
Standard License
Fast And Usurious
Wesley Devine
Chugging electric guitars combined with EDM synths and stabs in a fast paced electro-rock track, suitable for action, sports, gaming.
Standard License
Rock Journey
Wesley Devine
A quirky and light, mid-tempo, transparent rock groove. Nice as a motivational background track. Somewhere between Pop-Rock and Electro-Pop.
Standard License
Cage Rage
Wesley Devine
Super aggressive and hard-hitting, glitched and gritty Rock Breaks. Dubstep elements, gives a feeling of extreme intensity / urban action / danger. High energy action scenes / chases and extreme sports - especially full contact sports.
Standard License
Go
Bjorn Lynne
Hip-Hop meets Rock. This is an "in your face" track blending elements of Urban / HipHop with Rock and Metal. A really hard nosed, acidic synth pattern sets the tone, and is followed by metal style guitar riffing and slamming, downtempo drums.
Standard License
All That Can Be
Daniel Peter Morrissey
Dynamically volatile with smooth slick yet forboding synth pads and sequences. The mid section drops down into a kind of drum machine/ tabla fueled trance state before a lone synth lead line fanfares the blast of the last chorus.
Standard License
Rock Invictus
Stefan Bode
Edgy electro-rock. Biting and gnarling guitar riffs combine with acidic synths for a twitchy, uneasy, Big Beat / Drum 'n Bass / Industrial rock track with a strong edge. Use for crime / criminals, dirt and grit, chase or getaway, edgy sports footage etc.
Standard License
Fest
Julio Kladniew
Smooth rock with a cool riff guitar. Great great for underscore any type of competition or sport.
Standard License
Now Jump
Wesley Devine
A hard slamming, relentlessly beating, dark and forceful urban grind / beat. Forceful / determined. Hard rock style guitar lick combining with funk drums and retro synths to create an incredibly funky, slamming, urban, dark hip-hop track.
Standard License
Right Here
Stefan Bode
Edgy, rough electro / big-beat / drum'n bass / rock. Trippy synths combine with guitar riffs and choppy effects to create a busy and slightly disturbing track.
Standard License
Ready To Load
Aleksandar Dimitrijevic
A slamming, pumping and sizzling Big Beat track. Determined, forceful, and dirty. Suitable for modern warfare, guts and glory, hard hitting sports, impact sports, tough guys on the street.
Standard License
Rocktagon
Wesley Devine
Futuristic dubstep / rock like edgy breaks meets death metal, evil & foreboding, ideal for extreme sports, gaming & advertising.
Standard License