Музыкальный стиль
Электро-рок
Rising Star
Dan Phillipson
This track starts from a quiet, but expectant synth line and keeps growing, swelling, rising up, ever higher, as if reaching for the goal, reaching for glory. A very inspirational track that has elements of Ambient, Pop and Rock all together.
Standard License
Weary
Michael Bozzo
Electro hip-hop, sexual and exotic beat and bass line with rhythmic-echoed guitar lines reminiscent of U2 or Portishead and turntable scratching. A hip trumpet loop plays out at the end of this song. Documentary, nightmare, dream, sports.
Standard License
Rock Invictus
Stefan Bode
Edgy electro-rock. Biting and gnarling guitar riffs combine with acidic synths for a twitchy, uneasy, Big Beat / Drum 'n Bass / Industrial rock track with a strong edge. Use for crime / criminals, dirt and grit, chase or getaway, edgy sports footage etc.
Standard License
El Diablo
Wesley Devine
Biting, gritty, and nasty guitar riffs combine with squelching, acidic synths to create a sort of apocalyptic, post-industrial grind rock music. Dark and menacing, unnerving and stressed. Combat, fight / brawl, power, aggression. Threatening.
Standard License
Up A Notch
Wesley Devine
Pumping electro-rock, fresh & futuristic, ideal for sport, advertising and high-action scenes. All about attitude.
Standard License
Electro Vision
Daniel Alan Gautreau
Somewhere between pop, rock and electronic dance music, this up-front, bright and brash track packs a lot of energy and funky fizz. Good for exciting media, TV, pop, youth culture, exercise, workout and much more. Energetic, Determined.
Standard License
Rock Rush
Wesley Devine
Fast paced, high energy dance-rock cross over. Trance like synth riffs combine with heavy aggressive metal guitars in a frantic race to the finish line. Imminence, forward movement, great for use with all kinds of extreme sports and action, chase scenes.
Standard License
80's Cop Funk
Wesley Devine
A sneaky, downtempo funk track in the style of 1980s cop films like Beverly Hills Cop and many others. Synth bass, gated drums. Suitable for scenes of investigating, stalking, sneaking around, stakeout and more.
Standard License
Ready To Load
Aleksandar Dimitrijevic
A slamming, pumping and sizzling Big Beat track. Determined, forceful, and dirty. Suitable for modern warfare, guts and glory, hard hitting sports, impact sports, tough guys on the street.
Standard License
Demolition
Daniel Alan Gautreau
A slamming, hard core rock/electro crossover track. Heavy guitar impact with acidic synths and pumping drums.
Standard License
80's Revenge
Wesley Devine
A pumping, chopped-up, mashed-up, grinding and gritty Rock, Electro crossover. Sizzling and thumping beats, as though just about to burst out. Biting hard guitar chops and industrial style synth bass. At breaking point, stuttering and pulsating.
Standard License
Modern Ending
Ilya Kaplan, Stan Fomin
A perfect track for opening or ending an energetic modern sequence, conviniently produced to work as a 15 and 30 seconds or looped
Standard License
Jumping Generator
Pierre Gerwig Langer
A rough and gutsy funk track with a mechanical, industrial element. Hard hitting Big Beat funky drums with funk bass and hard edged synths. Determined, forceful.
Standard License
Go
Bjorn Lynne
Hip-Hop meets Rock. This is an "in your face" track blending elements of Urban / HipHop with Rock and Metal. A really hard nosed, acidic synth pattern sets the tone, and is followed by metal style guitar riffing and slamming, downtempo drums.
Standard License
Accelerating To Light Speed
Ilya Kaplan, Stan Fomin
Beginning with a light bell intro and quickly accelerating to a very fast modern pace with a sense of time just flying by or watching a video in fast forward (FF) mode . speed time change fast aggressive
Standard License