Музыкальный стиль
Электро-рок
The Big Crush
Aleksandar Dimitrijevic
Somewhat dirty, gritty, grinding Big Beat track with a determined, hard slamming downtempo beat and nasty guitar + synth riffing. Good for action scenes, chase scenes, high impact sports.
Standard License
Evolution
Dmitriy Lukyanov
Very strange mix of techno and jazzrock music Main tune of James Bond is brass section in company with guitar arpegiators female vocal. In the middle part is a great solo of electro guitar little bit of flute.
Standard License
Biking Bad
Wesley Devine
Traditional heavy rock with modern twist, pulsating bass and breakbeats combine to give a feeling of confidence and control. Motor-bike gang related scenes, advertising and gaming. Vibe of the Sopranos, Breaking Bad or any Quentin Tarantino movie.
Standard License
Crash Course
Daniel Alan Gautreau
A solid dose of energy comes across in this infectious track somewhere between rock and electronica. Urgent synth patterns and slamming guitar riffs with tightly compressed drums. Sport, excitement, action or any high impact media with high energy levels.
Standard License
Full Speed
Denis Gorodetskiy
Speed, racing and victory. A very energetic and uplifting track with modern instruments and driving guitar riffs. Great for sport and extreme action.
Standard License
Fun Ride
Piotr Pacyna
Strong, driving electro-rock track with hard hitting drums, guitars and synths. Excited and confident.
Standard License
Driven
Stefan Bode
Edgy and heavy, electro / rock Big Beat track. A ballsy guitar riff leads the way, with a slamming drum beat and distorted bass following through. Determined, gritty and macho.
Standard License
Crazy Town
Wesley Devine
High-speed, frenetic paced Rock guitars and Jungle beats combined with glitchy child-like voices, ready for action scenes, destruction and mayhem! Ideal for fighting computer games, crime, gang culture.
Standard License
Industry Rox
Wesley Devine
Slamming, aggressive electro-rock with an industrial edge. Mangled and processed beats, distorted guitar licks. Busy, fragmented. Extreme sports, fighting, dirty, grinding footage etc.
Standard License
Power Up
Wesley Devine
A \'Rock-tronica\' track with a corporate feel ideal for use in advertising and motivational scenes. Energetic and bouncy. Moving forward with vigor and enthusiasm. Also works great for technology and extreme sports.
Standard License
Into The Abyss
David Flavin, Kenneth Favell
Industrial Track with a doom feel. Heavy guitar and drums, ghostly choir and synth pads and loops highlight the piece.
Standard License
All That Can Be
Daniel Peter Morrissey
Dynamically volatile with smooth slick yet forboding synth pads and sequences. The mid section drops down into a kind of drum machine/ tabla fueled trance state before a lone synth lead line fanfares the blast of the last chorus.
Standard License
Now Jump
Wesley Devine
A hard slamming, relentlessly beating, dark and forceful urban grind / beat. Forceful / determined. Hard rock style guitar lick combining with funk drums and retro synths to create an incredibly funky, slamming, urban, dark hip-hop track.
Standard License
Beat Lab
Pierre Gerwig Langer
A gritty, powerful and edgy blend of Big-Beat, Hard Rock and Electro-funk. Hard edged big beat drums, heavy distorted guitar and a very determined, slamming rhytmic feel gives this track a dominant, aggressive, heavy feel.
Standard License
In Your Face
Tim JulianoStandard License