Музыкальный стиль
Электро-рок
All That Can Be
Daniel Peter Morrissey
Dynamically volatile with smooth slick yet forboding synth pads and sequences. The mid section drops down into a kind of drum machine/ tabla fueled trance state before a lone synth lead line fanfares the blast of the last chorus.
Standard License
Beyond The Limits
Wojciech Panufnik
Dynamic and energetic, a mixutre of hard guitar riffs with modern electronic sounds. Suitable for sport and action projects.
Standard License
Get It Now
Krzysztof Rzeznicki
Big beat drums with badass bass and funky synths. Catchy / Edgy / Up-front / Sarcastic / Glam. Available with or without the wacky vocal hooks.
Standard License
Muscle Machines
Piotr Pacyna
Strong, confident electro-rock with hard hitting drums, guitar riffs and electronics. Determined, energetic and mechanical.
Standard License
Rocktagon
Wesley Devine
Futuristic dubstep / rock like edgy breaks meets death metal, evil & foreboding, ideal for extreme sports, gaming & advertising.
Standard License
Fear Factor
Wesley Devine
Industrial breakbeat techno-rock. Nasty and grinding, gritty and dirty, with a relentlessly pumping, machine like, unfriendly and unsettling synth grind like claxon, heavy slamming electronic drums. Choppy, stuttering, mechanical, dark future funk.
Standard License
80's Cop Funk
Wesley Devine
A sneaky, downtempo funk track in the style of 1980s cop films like Beverly Hills Cop and many others. Synth bass, gated drums. Suitable for scenes of investigating, stalking, sneaking around, stakeout and more.
Standard License
Run The Drum
Aleksandar Dimitrijevic
A rough, tough, down and dirty track suitable for battle, modern warfare, combat, fighting or brawling. Also, extreme machines, high power sports, motor racing, mean streets, tough guys taking no prisoners.
Standard License
Burnout Blaze
Wesley Devine
Sinister undertones and metal shredding blast-off into rock / dance crossover with plenty of power! Ideal for extreme sports, gaming and action sequences.
Standard License
Military Break
Wesley Devine
An unusual combination of marching rhythm, urban edgy breakbeat style drums, bleeping synths and (later) hard edged industrial guitar riffs. Military feeling, hard, edgy, electro-rock. Aggressive, relentless.
Standard License
Rock Invictus
Stefan Bode
Edgy electro-rock. Biting and gnarling guitar riffs combine with acidic synths for a twitchy, uneasy, Big Beat / Drum 'n Bass / Industrial rock track with a strong edge. Use for crime / criminals, dirt and grit, chase or getaway, edgy sports footage etc.
Standard License
Slow Jam Rock
Wesley Devine
Post-industrial Electro Dub Metal / Hard Rock crossover with a very heavy edge. Snarling guitar riffs combine with acidic synthesizers and a slow, methodical and relentless beat.
Standard License
Into The Abyss
David Flavin, Kenneth Favell
Industrial Track with a doom feel. Heavy guitar and drums, ghostly choir and synth pads and loops highlight the piece.
Standard License
Endless Possibilities
Bjorn Lynne
Melodic Electro-rock track provides using elements of Science Fiction soundtrack work, Progressive Rock and Ambient Electronica. Guitar leads, epic pads, analogue synth sequences.
Standard License
Biking Bad
Wesley Devine
Traditional heavy rock with modern twist, pulsating bass and breakbeats combine to give a feeling of confidence and control. Motor-bike gang related scenes, advertising and gaming. Vibe of the Sopranos, Breaking Bad or any Quentin Tarantino movie.
Standard License