Музыкальный стиль
Электро-рок
Constant Motion
Piotr Pacyna
Edgy and relentless electro rock / future-funk / rocktronica. Bass throbs drive stripped-back four-on-the-floor grooves, pulsing arpeggios, vocoders.
Standard License
In The Zone
Piotr Pacyna
Gutsy, attitude-filled and exciting hybrid rock based on a triplet groove. Guitar riffs, distant vocal chants, fuzzy synths. Action / Cool / Edgy / Fun.
Standard License
Crazy Town
Wesley Devine
High-speed, frenetic paced Rock guitars and Jungle beats combined with glitchy child-like voices, ready for action scenes, destruction and mayhem! Ideal for fighting computer games, crime, gang culture.
Standard License
Cage Rage
Wesley Devine
Super aggressive and hard-hitting, glitched and gritty Rock Breaks. Dubstep elements, gives a feeling of extreme intensity / urban action / danger. High energy action scenes / chases and extreme sports - especially full contact sports.
Standard License
Right Here
Stefan Bode
Edgy, rough electro / big-beat / drum'n bass / rock. Trippy synths combine with guitar riffs and choppy effects to create a busy and slightly disturbing track.
Standard License
Industrialism
Wesley Devine
Determined, gritty and funky, hard biting guitar riffs with rock drums and more industrial / mechanical synth & guitar elements, Heavily processed, chunky and mangled guitar chops with nasty synths. Good for action, bad-asses, hardcore / fight / combat.
Standard License
Killer Glam
Wesley Devine
Hardcore techno, breakbeat track mixed with elements of the Glam Rock of the 1970's, this unique and cheeky number is both gritty, nasty, fun and funky. Good for sports, extreme sports, motorsports, racing, any high impact, high energy footage.
Standard License
Evolution
Dmitriy Lukyanov
Very strange mix of techno and jazzrock music Main tune of James Bond is brass section in company with guitar arpegiators female vocal. In the middle part is a great solo of electro guitar little bit of flute.
Standard License
80's Revenge
Wesley Devine
A pumping, chopped-up, mashed-up, grinding and gritty Rock, Electro crossover. Sizzling and thumping beats, as though just about to burst out. Biting hard guitar chops and industrial style synth bass. At breaking point, stuttering and pulsating.
Standard License
Into The Abyss
David Flavin, Kenneth Favell
Industrial Track with a doom feel. Heavy guitar and drums, ghostly choir and synth pads and loops highlight the piece.
Standard License
Driven
Stefan Bode
Edgy and heavy, electro / rock Big Beat track. A ballsy guitar riff leads the way, with a slamming drum beat and distorted bass following through. Determined, gritty and macho.
Standard License
Dark Matters
Wesley Devine
After a dark and uneasy intro, the main riff takes off at about 27 secs into the track. This is a dirty, filthy, grinding and gritty, dark and destructive track of hard biting guitars and squelching synths. Negative and doom-laden.
Standard License
Demolition
Daniel Alan Gautreau
A slamming, hard core rock/electro crossover track. Heavy guitar impact with acidic synths and pumping drums.
Standard License
Go
Bjorn Lynne
Hip-Hop meets Rock. This is an "in your face" track blending elements of Urban / HipHop with Rock and Metal. A really hard nosed, acidic synth pattern sets the tone, and is followed by metal style guitar riffing and slamming, downtempo drums.
Standard License
Rock Invictus
Stefan Bode
Edgy electro-rock. Biting and gnarling guitar riffs combine with acidic synths for a twitchy, uneasy, Big Beat / Drum 'n Bass / Industrial rock track with a strong edge. Use for crime / criminals, dirt and grit, chase or getaway, edgy sports footage etc.
Standard License