Музыкальный стиль
Электро-рок
Get On The Track
Wesley Devine
A vibrant, slightly menacing up-tempo rock / funk / breakbeat track, funky guitar riff filters up through electro dance beats and builds into a straighter, more mechanical synth break, great for sports and adventure.
Standard License
Evolution
Dmitriy Lukyanov
Very strange mix of techno and jazzrock music Main tune of James Bond is brass section in company with guitar arpegiators female vocal. In the middle part is a great solo of electro guitar little bit of flute.
Standard License
Dark Matters
Wesley Devine
After a dark and uneasy intro, the main riff takes off at about 27 secs into the track. This is a dirty, filthy, grinding and gritty, dark and destructive track of hard biting guitars and squelching synths. Negative and doom-laden.
Standard License
Blues Break
Wesley Devine
We don't want to brag, but this one is a real hit. A seriously funky mash-up of mangled and twisted blues guitar riffs, with big beat style drums and bass. It's cool, original, and about as funky as it gets.
Standard License
Ready For The Rumble
Wesley Devine
Tough, hard-hitting Moombathon track featuring vocal refrain, 'Are you ready - ready for the Rumble? ' ideal for extreme sports, nightlife and urban scenes. Also available without the vocal parts.
Standard License
Crazy Town
Wesley Devine
High-speed, frenetic paced Rock guitars and Jungle beats combined with glitchy child-like voices, ready for action scenes, destruction and mayhem! Ideal for fighting computer games, crime, gang culture.
Standard License
Lap 17
Denis Gorodetskiy
Lap By Lap, Running man on a long distance. Cool sports theme with electronic sequences, drive guitar riffs and solos.
Standard License
80's Revenge
Wesley Devine
A pumping, chopped-up, mashed-up, grinding and gritty Rock, Electro crossover. Sizzling and thumping beats, as though just about to burst out. Biting hard guitar chops and industrial style synth bass. At breaking point, stuttering and pulsating.
Standard License
Beat Lab
Pierre Gerwig Langer
A gritty, powerful and edgy blend of Big-Beat, Hard Rock and Electro-funk. Hard edged big beat drums, heavy distorted guitar and a very determined, slamming rhytmic feel gives this track a dominant, aggressive, heavy feel.
Standard License
Jumping Generator
Pierre Gerwig Langer
A rough and gutsy funk track with a mechanical, industrial element. Hard hitting Big Beat funky drums with funk bass and hard edged synths. Determined, forceful.
Standard License
Go
Bjorn Lynne
Hip-Hop meets Rock. This is an "in your face" track blending elements of Urban / HipHop with Rock and Metal. A really hard nosed, acidic synth pattern sets the tone, and is followed by metal style guitar riffing and slamming, downtempo drums.
Standard License
Modern Ending
Ilya Kaplan, Stan Fomin
A perfect track for opening or ending an energetic modern sequence, conviniently produced to work as a 15 and 30 seconds or looped
Standard License
Rock Invictus
Stefan Bode
Edgy electro-rock. Biting and gnarling guitar riffs combine with acidic synths for a twitchy, uneasy, Big Beat / Drum 'n Bass / Industrial rock track with a strong edge. Use for crime / criminals, dirt and grit, chase or getaway, edgy sports footage etc.
Standard License
Fest
Julio Kladniew
Smooth rock with a cool riff guitar. Great great for underscore any type of competition or sport.
Standard License
Groovy Aliens
Wesley Devine
Digital, futuristic techno-funk with some aggression. Thumping synth bass swell, biting guitar riffs, squeaky synths and blippy digitals combine in hard rock, breakbeat crossover. Techno, electro, grind, drum'n bass, hard rock, metal, funk and disco.
Standard License