Музыкальный стиль
Электро-рок
Modern Ending
Ilya Kaplan, Stan Fomin
A perfect track for opening or ending an energetic modern sequence, conviniently produced to work as a 15 and 30 seconds or looped
Standard License
Fear Factor
Wesley Devine
Industrial breakbeat techno-rock. Nasty and grinding, gritty and dirty, with a relentlessly pumping, machine like, unfriendly and unsettling synth grind like claxon, heavy slamming electronic drums. Choppy, stuttering, mechanical, dark future funk.
Standard License
Into The Abyss
David Flavin, Kenneth Favell
Industrial Track with a doom feel. Heavy guitar and drums, ghostly choir and synth pads and loops highlight the piece.
Standard License
Street Slam
Aleksandar Dimitrijevic
A dirty and funky big-beat / urban track. Rough and tough, with a determined, gritty, slamming beat. Rock style guitar riffs, like mean guys on the street. Also good for sports, motorsports, fighting / brawling, show of force.
Standard License
Crash Course
Daniel Alan Gautreau
A solid dose of energy comes across in this infectious track somewhere between rock and electronica. Urgent synth patterns and slamming guitar riffs with tightly compressed drums. Sport, excitement, action or any high impact media with high energy levels.
Standard License
Burnout Blaze
Wesley Devine
Sinister undertones and metal shredding blast-off into rock / dance crossover with plenty of power! Ideal for extreme sports, gaming and action sequences.
Standard License
Evolution
Dmitriy Lukyanov
Very strange mix of techno and jazzrock music Main tune of James Bond is brass section in company with guitar arpegiators female vocal. In the middle part is a great solo of electro guitar little bit of flute.
Standard License
Rock Rush
Wesley Devine
Fast paced, high energy dance-rock cross over. Trance like synth riffs combine with heavy aggressive metal guitars in a frantic race to the finish line. Imminence, forward movement, great for use with all kinds of extreme sports and action, chase scenes.
Standard License
Get On The Track
Wesley Devine
A vibrant, slightly menacing up-tempo rock / funk / breakbeat track, funky guitar riff filters up through electro dance beats and builds into a straighter, more mechanical synth break, great for sports and adventure.
Standard License
Unspoken Words
Stephen William Cornish
Mellow rock track full of suspense and tension. Guitars and drums with some synth and vocal effects.
Standard License
Rock Invictus
Stefan Bode
Edgy electro-rock. Biting and gnarling guitar riffs combine with acidic synths for a twitchy, uneasy, Big Beat / Drum 'n Bass / Industrial rock track with a strong edge. Use for crime / criminals, dirt and grit, chase or getaway, edgy sports footage etc.
Standard License
Ready To Load
Aleksandar Dimitrijevic
A slamming, pumping and sizzling Big Beat track. Determined, forceful, and dirty. Suitable for modern warfare, guts and glory, hard hitting sports, impact sports, tough guys on the street.
Standard License
Heat Machine
Aleksandar Dimitrijevic
A slow, sizzling, determined beat meets up with retro funk riffs, metal guitar chords and slow, methodical synths to create a sizzling, pumping, 'rough & tumble' style Big Beat track.
Standard License
Demonic Chase
Wesley Devine
A nasty Rock / Dubstep / Breaks straight from hell in the style of The Prodigy / Chemical Brothers / Skrillex. Foreboding pad wobbles and vocal pads crescendo into filthy distorted Rock guitar riffs, Classic fast paced breakbeats.
Standard License
Blast-o-beat
Aleksandar Dimitrijevic
A tough and gritty, determined and forceful big-beat track. Slow, slamming rock beat combined with nasty acidic synths and a somewhat retro funky guitar riff. Suitable for fights, brawling, hardcore sports action, motor racing.
Standard License